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Phil Rudd

AC/DC · Immovable time, total minimalism and a pocket you can set a clock by

Back in Black

AC/DC · Back in Black

Level 2

≈ 96 · 4/4

Prep with: Stage 1Foundations — the metronomic groove

Primary technique:
Immovable, iconic straight-eighth groove
Also trains:
Hi-hat consistency, Minimal fills, Backbeat consistency
Key groove:
A steady, driving groove with a hard backbeat and an unwavering hi-hat pattern
Signature fill:
A single simple pickup fill announcing the chorus, nothing more
Transition:
The groove barely changes; a small dynamic lift signals the chorus instead
Listen for:
How little actually changes between verse and chorus, and how effective that is
Training:
Total consistency on one of rock's most recognisable grooves
Challenge:
Play the whole song with the groove sounding identical on every repeat
  • Intro: Iconic riff enters over a steady groove
  • Verse: Driving, unwavering groove
  • Chorus: Small dynamic lift, same core groove
  • Bridge: Groove holds through the instrumental
  • Outro: Groove rides out unchanged to the fade
Workout

Highway to Hell

AC/DC · Highway to Hell

Level 2

≈ 116 · 4/4

Prep with: Stage 1Foundations — the metronomic groove

Primary technique:
Driving, unembellished groove
Also trains:
Time consistency, Backbeat weight, Restraint
Key groove:
A straightforward, driving 8th-note groove with total consistency throughout
Signature fill:
A brief snare fill leading into the chorus, played identically each time
Transition:
A small crash accent bridges the verse into the chorus without embellishment
Listen for:
How the groove never wavers even as the energy of the song rises and falls
Training:
Time consistency across a full, high-energy rock song
Challenge:
Play the whole song with zero measurable tempo drift start to finish
  • Intro: Groove and riff enter together
  • Verse: Steady, driving groove
  • Chorus: Same groove, slightly fuller energy
  • Bridge: Groove holds through the instrumental
  • Outro: Groove rides out to the final chord
Workout

You Shook Me All Night Long

AC/DC · Back in Black

Level 2

≈ 121 · 4/4

Prep with: Stage 1Foundations — the metronomic groove

Primary technique:
Minimal, purposeful pickup fills
Also trains:
Hi-hat consistency, Backbeat weight, Restraint
Key groove:
A driving, unwavering groove punctuated only by the smallest necessary fills
Signature fill:
A short pickup fill announcing each chorus, never varying in shape
Transition:
A brief fill bridges each section without adding unnecessary decoration
Listen for:
How the same tiny fill works every single time without ever feeling repetitive
Training:
Minimalist fill discipline within a driving groove
Challenge:
Play the whole song using only the same simple fill on every chorus entrance
  • Intro: Groove enters with the driving riff
  • Verse: Steady groove, no fills
  • Chorus: Pickup fill launches into the hook
  • Bridge: Groove holds through the instrumental
  • Outro: Groove rides out unchanged
Workout

Whole Lotta Rosie

AC/DC · Let There Be Rock

Level 3

≈ 124 · 4/4

Prep with: Stage 1Foundations — the metronomic groove

Primary technique:
Pocket held steady under pressure
Also trains:
Four-limb independence, Backbeat weight, Endurance
Key groove:
A driving groove that must stay locked even as the band's energy pushes hard
Signature fill:
A brief, punchy fill marking the transition into the chorus riff
Transition:
A hard crash accent bridges the tense verse into the full-band chorus
Listen for:
How the tempo never creeps up despite the song's escalating energy
Training:
Resisting tempo creep during a long, high-energy song
Challenge:
Play the whole song and check the tempo at the end matches the tempo at the start
  • Intro: Groove and riff enter together at full energy
  • Verse: Tense groove building anticipation
  • Chorus: Full-energy groove with a punchy fill
  • Bridge: Groove holds through the instrumental
  • Outro: Full energy sustained to the final chord
Workout

Thunderstruck

AC/DC · The Razors Edge

Level 3

≈ 133 · 4/4

Prep with: Stage 1Foundations — the metronomic groove

Primary technique:
Fast, steady groove under a repetitive riff
Also trains:
Hi-hat consistency, Endurance, Restraint
Key groove:
A fast, driving groove that stays rock solid underneath the famous guitar riff
Signature fill:
Almost no fills — the groove itself carries the song's tension and release
Transition:
Dynamics build gradually rather than fills marking the shift into full band energy
Listen for:
How the groove supports the riff without ever trying to compete with it
Training:
Sustained hi-hat consistency at a fast tempo over a long song
Challenge:
Play the whole song with the hi-hat pattern sounding identical throughout
  • Intro: Famous riff enters, groove holds it steady
  • Verse: Driving groove under the riff
  • Chorus: Fuller dynamics, same core groove
  • Bridge: Groove holds through the instrumental
  • Outro: Full energy sustained to the final chord
Workout

Hells Bells

AC/DC · Back in Black

Level 2

≈ 78 · 4/4

Prep with: Stage 1Foundations — the metronomic groove

Primary technique:
Slow, heavy half-time groove
Also trains:
Weight and tone, Consistency, Restraint
Key groove:
A slow, weighty half-time groove with a huge, consistent backbeat
Signature fill:
A single heavy tom hit used sparingly for weight rather than decoration
Transition:
The bell intro gives way directly to the groove with no fanfare
Listen for:
How much weight each single hit carries in such a sparse arrangement
Training:
Playing convincingly heavy while staying totally consistent at a slow tempo
Challenge:
Play the whole song with every backbeat hit carrying the same weight
  • Intro: Bell tolls before the groove enters
  • Verse: Slow, heavy groove
  • Chorus: Same groove, slightly fuller energy
  • Bridge: Groove holds through the instrumental
  • Outro: Groove fades on the same heavy feel
Workout

Girls Got Rhythm

AC/DC · Highway to Hell

Level 3

≈ 138 · 4/4

Prep with: Stage 1Foundations — the metronomic groove

Primary technique:
Fast, tight straight-eighth drive
Also trains:
Hi-hat consistency, Endurance, Backbeat weight
Key groove:
A fast, tight groove that never loses its consistency despite the tempo
Signature fill:
A short, sharp fill leading into the chorus, unchanged on every pass
Transition:
A quick crash accent bridges the verse directly into the chorus
Listen for:
How the groove stays perfectly even even at a demanding, fast tempo
Training:
Fast-tempo hi-hat consistency and endurance
Challenge:
Play the whole song with the hi-hat sounding perfectly even from start to finish
  • Intro: Fast groove enters at full energy
  • Verse: Tight, driving groove
  • Chorus: Full-energy groove with a sharp fill
  • Bridge: Groove holds through the instrumental
  • Outro: Full energy to the final chord
Workout

If You Want Blood (You've Got It)

AC/DC · Highway to Hell

Level 2

≈ 128 · 4/4

Prep with: Stage 1Foundations — the metronomic groove

Primary technique:
Raw, live-energy groove discipline
Also trains:
Backbeat weight, Time consistency, Restraint
Key groove:
A raw, driving groove that stays disciplined even with a rough, live energy
Signature fill:
A brief, punchy fill marking the chorus entrance, kept identical throughout
Transition:
A hard backbeat accent bridges the verse straight into the chorus
Listen for:
How the groove keeps its discipline despite the raw, energetic performance
Training:
Maintaining discipline within a raw, high-energy performance
Challenge:
Play the whole song keeping the groove disciplined despite a raw, energetic feel
  • Intro: Raw groove enters with the riff
  • Verse: Driving, disciplined groove
  • Chorus: Full-energy groove with a punchy fill
  • Bridge: Groove holds through the instrumental
  • Outro: Full energy to the final chord
Workout

Fire Your Guns

AC/DC · The Razors Edge

Level 3

≈ 150 · 4/4

Prep with: Stage 1Foundations — the metronomic groove

Primary technique:
Fast, aggressive but disciplined drive
Also trains:
Endurance, Hi-hat consistency, Backbeat weight
Key groove:
A fast, aggressive groove that never loses its underlying discipline
Signature fill:
A quick, punchy fill leading into the chorus, played the same way every time
Transition:
A hard crash accent bridges the aggressive verse directly into the chorus
Listen for:
How aggression and discipline coexist in the same groove
Training:
Fast-tempo endurance combined with total time discipline
Challenge:
Play the whole song at tempo without the aggression causing any tempo drift
  • Intro: Fast, aggressive groove enters
  • Verse: Driving groove building tension
  • Chorus: Full-energy groove with a punchy fill
  • Bridge: Groove holds through the instrumental
  • Outro: Full energy to the final chord
Workout

Moneytalks

AC/DC · The Razors Edge

Level 2

≈ 116 · 4/4

Prep with: Stage 1Foundations — the metronomic groove

Primary technique:
Laid-back, groove-forward pocket
Also trains:
Relaxation, Consistency, Restraint
Key groove:
A relaxed, slightly laid-back groove that still stays perfectly in time overall
Signature fill:
A minimal fill marking the chorus, kept exactly the same on every pass
Transition:
A small dynamic lift bridges the laid-back verse into the fuller chorus
Listen for:
How relaxed the groove feels while still never actually dragging
Training:
Playing relaxed without sacrificing overall time consistency
Challenge:
Play the whole song with a laid-back feel that never once actually drags the tempo
  • Intro: Laid-back groove establishes the feel
  • Verse: Relaxed, steady groove
  • Chorus: Slightly fuller dynamics, same relaxed feel
  • Bridge: Groove holds through the instrumental
  • Outro: Groove fades on the same laid-back feel
Workout