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Chris Turner

Oceans Ate Alaska · Hyper-technical progressive metalcore — gospel chops meet blast-beat brutality

One continuous arc through Chris Turner's playing — every stage warms up with the previous stage's skill, builds the new one, then applies it to a real song.

0 of 10 stages worked through · nothing is locked

Stage 1 of 10

Foundations — clean hands at speed

Building the raw sticking speed and control gospel-chop phrasing needs

  • Singles and doubles clean at high volume and low volume
  • Paradiddle-based sticking moved fluidly around the kit
  • Ghost notes controlled at speed without tension creeping in

Unlocks: The opening groove of Little Dove

Heard in: Hansel · Endeavour · Escapist

Leads to: Stage 2Core grooves — half-time breakdowns

5 part session · warm-up, build, push, apply · from 90 BPM

Workout

Stage 2 of 10

Core grooves — half-time breakdowns

Locking a heavy half-time feel that leaves room for hand ornamentation

Carries in from: Stage 1Foundations — clean hands at speed

  • Half-time backbeat groove with kick variations underneath
  • Ghost notes woven into the groove without disturbing the pocket
  • Hi-hat foot chatter for extra texture on breakdowns

Unlocks: The breakdown groove in Hansel

Heard in: Little Dove · Hansel · Endeavour

Leads to: Stage 3Signature techniques — gospel-chop linear phrasing

6 part session · warm-up, build, push, apply · from 92 BPM

Workout

Stage 3 of 10

Signature techniques — gospel-chop linear phrasing

Applying church-style linear licks to a metalcore kit

Carries in from: Stage 2Core grooves — half-time breakdowns

  • Linear hand-foot-hand phrases with no doubled hits
  • Four-limb independence at moderate tempo
  • Odd groupings layered over a steady kick ostinato

Unlocks: The verse fill pattern in Hansel

Heard in: Hansel · Gone

Leads to: Stage 4Double kick vocabulary — 16ths into bursts

6 part session · warm-up, build, push, apply · from 100 BPM

Workout

Stage 4 of 10

Double kick vocabulary — 16ths into bursts

Turning double kick into a musical layer under riffing, not just speed

Carries in from: Stage 3Signature techniques — gospel-chop linear phrasing

  • Steady 16th-note double kick under a syncopated riff
  • Sudden 32nd-note bursts punctuating a phrase
  • Balance between kick attack and cymbal wash

Unlocks: The double-kick verse in Little Dove

Heard in: Little Dove · Hansel · Wide Awake

Leads to: Stage 5Blast beat integration

6 part session · warm-up, build, push, apply · from 110 BPM

Workout

Stage 5 of 10

Blast beat integration

Switching cleanly between blast beats and groove without a stumble

Carries in from: Stage 4Double kick vocabulary — 16ths into bursts

  • Traditional blast beat at a controlled tempo, relaxed wrists
  • Instant switch from blast into a double-kick groove
  • Dynamics ladder to control blast intensity across a section

Unlocks: The blast-to-groove transition in Wide Awake

Heard in: Little Dove · Hansel · Wide Awake

Leads to: Stage 6Fills & transitions — linear tom runs

6 part session · warm-up, build, push, apply · from 150 BPM

Workout

Stage 6 of 10

Fills & transitions — linear tom runs

Building fills that phrase like gospel chops across the whole kit

Carries in from: Stage 5Blast beat integration

  • Linear 32nd-note fills across snare and toms
  • Crash cymbal placement that punches the riff without cluttering it
  • Clean transitions from fill back into a blast or breakdown

Unlocks: The pre-chorus fill in Hansel

Heard in: Little Dove · Hansel · Endeavour

Leads to: Stage 7Polyrhythm and odd meter

6 part session · warm-up, build, push, apply · from 112 BPM

Workout

Stage 7 of 10

Polyrhythm and odd meter

Layering polyrhythmic ideas over metalcore's shifting riffs

Carries in from: Stage 6Fills & transitions — linear tom runs

  • 3-against-4 phrasing over a straight kick ostinato
  • Odd-meter fills that resolve cleanly back into 4/4
  • Metric modulation used briefly to shift a section's feel

Unlocks: The instrumental break in Wide Awake

Heard in: Wide Awake · Ricochet · Our Cursed Rebirth

Leads to: Stage 8Song applications — full arrangements

6 part session · warm-up, build, push, apply · from 116 BPM

Workout

Stage 8 of 10

Song applications — full arrangements

Playing complete songs with all the technical layers stacked together

Carries in from: Stage 7Polyrhythm and odd meter

  • Little Dove start to finish with dynamic control
  • Hansel's groove-blast-fill cycle without losing time
  • Endurance across a full song at performance tempo

Unlocks: A full run-through of Little Dove

Heard in: Little Dove · Hansel · Wide Awake

Leads to: Stage 9Challenge workouts — extreme tempo endurance

6 part session · warm-up, build, push, apply · from 130 BPM

Workout

Stage 9 of 10

Challenge workouts — extreme tempo endurance

Sustaining blast/double-kick hybrid patterns at genre-typical extreme tempos

Carries in from: Stage 8Song applications — full arrangements

  • Blast beat endurance past two minutes without tightening the grip
  • Fast alternating double-kick bursts inside a blast section
  • Recovering pocket immediately after a blast-to-groove drop

Unlocks: Wide Awake's full blast section at tempo

Heard in: Little Dove · Wide Awake · Gone

Leads to: Stage 10Mastery — improvising the hybrid style

6 part session · warm-up, build, push, apply · from 170 BPM

Workout

Stage 10 of 10

Mastery — improvising the hybrid style

Freely combining gospel-chop linear phrasing, blast beats and double kick

Carries in from: Stage 9Challenge workouts — extreme tempo endurance

  • Improvised linear fills that stay in Turner's vocabulary
  • Switching feel instantly between groove, blast and linear fill on request
  • Applying the whole toolkit to a brand-new riff, no charts

Unlocks: Improvising a Turner-style verse-to-breakdown transition on any riff

Heard in: Little Dove · Hansel · Wide Awake

6 part session · warm-up, build, push, apply · from 140 BPM

Workout