Benny Greb

≈ 104 · 4/4

Prep with: Stage 3 — Signature techniques — Moeller strokes in a groove

Primary technique:

Moeller-driven snare vocabulary

Also trains:

Flams, Snare-tom combinations, Independence

Key groove:

A snare-forward groove with Moeller-based accent-ghost combinations throughout

Signature fill:

A flam-heavy fill produced entirely with relaxed Moeller strokes

Transition:

The fill's final flam lands directly on the groove's return, no gap

Listen for:

How effortless the flams sound despite their speed and density

Training:

Using Moeller strokes for real musical vocabulary, not just isolated practice

Challenge:

Play the whole piece checking that your wrists stay visibly relaxed throughout

• Intro: Moeller-based snare pattern alone
• Verse: Full groove with accent-ghost combinations
• Independence: Ostinato feet under a busier hand pattern
• Fill: Flam-heavy Moeller fill
• Outro: Returns to the opening snare pattern

≈ 106 · 4/4

Prep with: Stage 1 — Foundations — hand technique and Moeller basics

Primary technique:

Dynamic hi-hat colour under a driving groove

Also trains:

Linear fills, Crash placement, Dynamics

Key groove:

A propulsive groove that uses open hi-hat splashes to mark dynamic peaks

Signature fill:

A linear fill that builds directly into an open hi-hat crash combination

Transition:

The open hi-hat itself functions as the transition into the next section

Listen for:

How the open hi-hat changes the groove's energy without adding extra notes

Training:

Using hi-hat openness as a genuine dynamic tool inside a driving groove

Challenge:

Play the groove using only hi-hat dynamics to build energy, no extra fills

• Intro: Closed hi-hat groove, driving feel
• Verse: Hi-hat begins opening on accents
• Fill: Linear fill building to an open hat crash
• Chorus: Fully open hi-hat, peak energy
• Outro: Hi-hat closes back down, groove fades

≈ 110 · 4/4

Prep with: Stage 7 — Independence — ostinato practice method

Primary technique:

Structured independence practice applied musically

Also trains:

Ostinato independence, Polyrhythm, Odd groupings

Key groove:

A groove built from independent moving parts across all four limbs at once

Signature fill:

A fill that briefly locks all four limbs together before separating again

Transition:

The brief unison moment acts as the pivot into the next independent section

Listen for:

How each limb feels genuinely independent yet the groove still feels unified

Training:

Applying structured independence drills directly to musical groove writing

Challenge:

Play the full groove with each limb able to be isolated and heard clearly on its own

• Intro: Each limb introduced one at a time
• Verse: Full four-limb independence groove
• Fill: Brief unison moment before separating again
• Bridge: Polyrhythmic layer added on top
• Outro: Limbs drop out one at a time

≈ 90 · 4/4

Prep with: Stage 1 — Foundations — hand technique and Moeller basics

Primary technique:

Full hand-technique vocabulary applied freely

Also trains:

Flams, Dynamics, Independence

Key groove:

An open, improvisational piece where Moeller-based hand vocabulary drives the whole performance

Signature fill:

Improvised flam and accent combinations that change every time it's played

Transition:

Transitions are dynamic and improvised rather than fixed, following the hands' lead

Listen for:

How every choice, even improvised, still serves the sound of the groove

Training:

Improvising freely while keeping every note's dynamic and tonal purpose clear

Challenge:

Improvise your own version of this piece, keeping the same dynamic-first philosophy

• Intro: Free improvisation on hand technique alone
• Verse: Groove emerges from the improvised material
• Fill: Improvised flam-and-accent combination
• Peak: Full dynamic and technical intensity
• Outro: Improvisation fades back to a single voice